▪

Project story

▪

3 min read

Kallinich Claeys — A closer look at the EINSER Voyager

[ Project story ]

For the release of the EINSER Voyager, I photographed the watch in studio, focusing on what makes it special: a hand-engraved dial by Helmut Wagner, a white gold case with stepped lugs, and an openwork KC001.1 movement finished entirely by hand.

A watch made to be looked at slowly

For the release of the EINSER Voyager, I photographed a watch whose character lives in its smallest details. The hand-engraved dial by Helmut Wagner, the white gold case and the openwork movement each offer a different way into the same subject. Rather than treating those elements as a list of features, I wanted the series to give them room to be seen.


Studio photography lets me isolate those relationships. A complete view establishes the shape of the watch; a closer frame asks you to spend time with the surface. Moving between the two is important. The detail should deepen your understanding of the object, not detach it from the whole.

[ Project story ]

Engraving, edges and open space

The engraved dial is the natural starting point. It has a visual rhythm that asks for a different kind of attention than a flat, printed surface. My approach was to let the photographs describe that character without allowing the surrounding case to disappear from the story.


The stepped lugs bring another layer to the series. They give the white gold case a distinct outline, one that becomes easier to understand when the viewpoint changes. These transitions between surfaces are a large part of what makes photographing a watch interesting to me.

[ Project story ]

Turning the watch over

On the reverse, the openwork KC001.1 movement shifts the emphasis from the dial to the construction beneath it. Finished entirely by hand, it belongs in the story as much as the front of the watch. The series moves between these two sides rather than treating the movement as an afterthought.


Together, the images are an invitation to look more slowly. The aim is not to make every frame say everything, but to let the sequence build a fuller picture: engraving, case, movement and the relationship between them.

[ More project stories ]